Expression is characterized by sculpture, installation, painting and performance. The techniques bridge between each other with the notion of transformations present.

In it the exploration of the body, fragments, organic and synthetic materials. Adjacent to the anatomy of nature and yet juxtaposing the visceral anatomy. Deconstruction, reconstruction functions as tools of gesture, coincidence as well as contamination can prevail with the space, ephemeral materials I occupy, that give rise to new things, transformations in ambiguous events. What captures me about the material that I "harvest" is its atavistic presence and potential. With a certain attraction and aversion repulsion, opposite poles that attract each other. In this I find potential for a chimerical embodiment, depicting transition and a liminal presence that is desired to be asserted, which resorts to interactions and discourse of thos around prevalent.

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Alexander Aronsson

 Kalmar, Sweden.