ALEXANDER ARONSSON
TEATERGALLERIET KALMAR
SOLO EXHIBITION
01.2027
NYBRO KONSTFÖRENING
11.2026
LILJEVALCHS VÅRSALONG
02.2026 - 05.2026
NEWS / AKTUELLT
UPCOMING /
EXHIBITION
SVE
Mitt arbete präglar sig inom skulptur, installation, måleri och performance. Teknikerna bryggar mellan varandra med erinringen om transformationer närvarande.
Däri utforskandet av kroppen, material organiska och syntetiska. Angränsande till naturens anatomi och likväl den kroppslig anatomi.
Slumpen likväl som kontamination får råda med det utrymme, material jag förfogar som ger upphov till nya ting, transformationer i tvetydiga skeenden.
Samlat material som genom cykler i tidövergång, dess stagnation i mellan-lägen, med potential av uttryck. Med en närvaro av viss atavistiskt slag, attraktion och aversion , motpoler som drar sig mot varandra. I detta finner jag potential för ett chimärt gestaltande.
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ENG
Expression is characterized by sculpture, installation, painting and performance. The techniques bridge between each other with the notion of transformations present.
In it the exploration of the body, fragments, organic and synthetic materials. Adjacent to the anatomy of nature and yet juxtaposing the visceral anatomy. Deconstruction, reconstruction functions as tools of gesture, coincidence as well as contamination can prevail with the space, ephemeral materials I occupy, that give rise to new things, transformations in ambiguous events. What captures me about the material that I "harvest" is its atavistic presence and potential. With a certain attraction and aversion repulsion, opposite poles that attract each other. In this I find potential for a chimerical embodiment, depicting transition and presence that is desired to be asserted.
Pukeberg, Sweden.
Instagram: aronssonart
Organic glass series
Installation, glass sculptures Organics No. 1,2,3,4,5,6,7,8,10
L: 111 D: 72 H:25 cm.
Glass made in Glass Factory Boda Sweden, 2025.
Cohesion is a sculptural installation composed of glass forms arranged together in a composition, creating an abstract, tissue-like body. Derived from approaches to biological cells, organ structures, and marine organisms. The individual elements gradually merge into a larger whole, while boundaries between the microcosm and the body begin to dissolve. Through transparency, light refraction, and organic clustering, the work evokes a living system that tends toward both corporeal and oceanic states.
2016 – ongoing
The artwork Collective is composed of sculptural hybrids made from oyster shells, debris, reclaimed material, and synthetic and organic remnants. Emerged from the sediment of everyday life, these fragments of discarded materials are harvested, collected, and reclaimed, assembled into new beings.
Sculpture , Installation 2026
In Corporeals, bodily fragments are recontextualized through assemblage, stacked and combined by the artist perfromative sheddings with organic structures and networks of tree branches.
Exploring transformation as both method and concept, the work uses the body as material, mutable and processual rather than static. Earlier performative actions, together with sculptural construction, create a space in which different temporal layers meet and are renegotiated.
SUNRISE ON THE SEA 2024 , NAC XIAMEN
10.2024 - 12.2024 - Nordic Contemporary Art Center Xiamen, Fuijian, China.
Slow-performative installation.
Ice melting, dripping to canvases with dry colour pigment. Igniting gesture of painting without the gesture of painting.
An art installation which evokes the three stages of water. Solid, liquid, evaporation. Enacting a gesture derived from the philosophical approach of "wu wei" non-doing, aligning with natural flow and intuition of life rather than forcing it.

Painting session,
Photo credit Stephanie Verstift / Vildmark Studio 2024.


STUDIO /
PROCESS
Photo credits to photographer: Stephanie Verstift / Vildmark Studio

































