ALEXANDER ARONSSON
TEATERGALLERIET KALMAR
SOLO EXHIBITION
01.2027
NYBRO KONSTFÖRENING
11.2026
LILJEVALCHS VÅRSALONG
02.2026 - 05.2026
NEWS / AKTUELLT
UPCOMING /
EXHIBITION
SVE
Mitt arbete präglar sig inom skulptur, installation, måleri och performance. Teknikerna bryggar mellan varandra med erinringen om transformationer närvarande.
Däri utforskandet av kroppen, material organiska och syntetiska. Angränsande till naturens anatomi och likväl den kroppslig anatomi.
Slumpen likväl som kontamination får råda med det utrymme, material jag förfogar som ger upphov till nya ting, transformationer i tvetydiga skeenden.
Samlat material som genom cykler i tidövergång,dess stagnation i mellan-lägen, med potential av uttryck. Med en närvaro av viss atavistiskt slag, attraktion och aversion , motpoler som drar sig mot varandra.
I detta finner jag potential för ett chimärt gestaltande, som skildrar övergång och liminal närvaro som önskar hävdas.
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ENG
Expression is characterized by sculpture, installation, painting and performance. The techniques bridge between each other with the notion of transformations present.
In it the exploration of the body, fragments, organic and synthetic materials. Adjacent to the anatomy of nature and yet juxtaposing the visceral anatomy. Deconstruction, reconstruction functions as tools of gesture, coincidence as well as contamination can prevail with the space, ephemeral materials I occupy, that give rise to new things, transformations in ambiguous events. What captures me about the material that I "harvest" is its atavistic presence and potential. With a certain attraction and aversion repulsion, opposite poles that attract each other. In this I find potential for a chimerical embodiment, depicting transition and a liminal presence that is desired to be asserted, which resorts to interactions and discourse of those around prevalent.
Pukeberg, Sweden.
Instagram: aronssonart
Cohesion
Organic glass series
Installation, glass sculptures Organics No. 1,2,3,4,5,6,7,8,10
L: 111 D: 72 H:25 cm.
Glass made in Glass Factory Boda Sweden, 2025.

Painting session,
Photo credit Stephanie Verstift / Vildmark Studio 2024.

SUNRISE ON THE SEA 2024 , NAC XIAMEN
10.2024 - 12.2024 -
Nordic Contemporary Art Center Xiamen,
Fuijian Xiamen, China.


C O L L E C T I V E
COLLECTIVE- Sculpture installation.
Installation: sculptural hybrids made of oysters, recycled materials, synthetic and organic, rubble. An installation hybrids in recycled materials, processed by gesture, ongoing transformations in material and form. The expression takes on organic, visceral anatomy and bridges to relics. Leftovers, decay and debris of the everyday, all incorporated, each shaped individually, gathered into a unified collective. Installation suspended in copper wire in áir, hung on the wall, in piles and individually on the ground. Cells that bring together monumental shapes. A presence mounted to experience, reflect and renegotiate the self. The vibrations of each cell reflect transformation into ambiguity. An agent, to dialogue and bridge anatomical mirror to our coexistence, coherence, reflection of our place and time. Since early on, the oyster has been my anchor object that repeatedly leads me into new processes of form expression. Its symbolic nature of metamorphosis and transformation present, added step further by gesture.
STUDIO PROCESS /

Photo credits to photographer: Stephanie Verstift / Vildmark Studio















































