ALEXANDER ARONSSON
HÖÖR KONSTHALL
04.2027 Solo exhibition,
Höör.
LILJEVALCHS VÅRSALONG
02.2027-05.2027 Group exhibition
Liljevalchs Konsthall, Stockholm.
TEATERGALLERIET KALMAR
01.2027 - 02.2027
Solo exhibition, Kalmar.
NYBRO KONSTFÖRENING
11.2026 Group exhibition, Pukeberg Nybro.
10.2026 - 01.2027 Group exhibition
Kalmar Konstmuseum, Kalmar.
Ö/VER/LEVA, YELLOWBOX ARTS
09.2026 Group exhibition
Sättra 20, 387 93 Borgoholm.
NEWS / AKTUELLT
UPCOMING /
EXHIBITION

SVE
Konstnärliga uttrycket präglar sig inom skulptur, installation, måleri och performativa verk.
I dessa bryggningar undersöker jag hur materia formas, lever, bryts ned, och återuppstår i nya tillstånd. I mitt narrativ anser jag transformation inte som motiv utan metod och avtryck. Där material bär med sig minne av sin egen förvandling och process.
Däri utforskandet av kropp, materiell organiska och syntetiska. Angränsande till naturens anatomi och likväl speglande den kroppslig anatomi.
Slumpen likväl som kontamination får råda med det utrymme, efemära material jag förfogar som ger upphov till nya ting, transformationer i tvetydiga skeenden.
Transformationer i igenkänning och främmandegöring i system ett narrativ mellan artefakt, natur, mänsklig anatomi, rekonstruktion och dekonstruktion.
Verken fungerar som fragment av större helhet ofärdig kropp. Kollektiv organismer » där avgränsning mellan individ, materia och rumsliga landskapet upplöses. En agens likt celler som assamblerar former i narrativ och samspel. Med möjlighet till kontinuerlig utveckling. Måleri blir tillknycklade till volymösa former, performativa verk ger antingen åskadare "in that moment " upplevelse, samt visade återblick i video-sekvenser ur minnes fragment. Skulptur bryts ner och återskapas till något obegripligt. Allt kan ansamlas i installation.
Jag välkomnar ofta ovissheten som naggar tanken även efter verken fått utformning. Jag anser dem dock sällan som klara sterila resultat, snarare som mogna att föras vidare.
I dessa processer blir förlängningar, ekon av varje fragment verk en möjlighet till utveckling och anta sig nya former. Något som motsätter sig självklar placering landar jag i; där dialoger utbyten och nya perspektiv får utrönas, när sammanhanget för en betydenhet och innebörd marginellt hålls tillbaka, vad har vi då som gror växande fram? Något som ännu återstår att förhandla fram för oss i vårt sinne.
/ / /
ENG
My artistic expression encompasses sculpture, installation, painting, and performative pieces.
Through these intersections, I investigate how matter is shaped, how it lives, how it breaks down, and how it re-emerges in new states. In my narrative, I view transformation not merely as a subject, but as a method and an imprint—where materials carry the memory of their own metamorphosis and the processes they have undergone.
This involves an exploration of the body—both organic and synthetic—touching upon the anatomy of nature while simultaneously reflecting human anatomy.
Chance and contamination are allowed to play a role within the space and the ephemeral materials I employ, giving rise to new entities—transformations occurring in ambiguous, unfolding processes.
These transformations oscillate between recognition and estrangement, weaving a narrative that bridges artifacts, nature, human anatomy, reconstruction, and deconstruction.
The works function as fragments of a larger, incomplete whole—a collective organism where the boundaries between the individual, matter, and the spatial landscape dissolve. They possess an agency akin to cells, assembling forms through narrative and interaction, with the potential for continuous evolution. Paintings are crumpled into voluminous shapes; performative works offer audience immediate, "in-the-moment" experience, while also providing retrospective glimpses through as example video sequences composed of memory fragments. Sculptures are broken down and reconstituted into something enigmatic. Everything can converge within an installation.
I often embrace the uncertainty that lingers in the mind, even after the works have taken their final form. However, I rarely view them as finished, sterile results; rather, I see them as ripe, mature for further development. In these processes, extensions—echoes of each fragmentary work—become opportunities for evolution and the adoption of new forms. I find myself arriving at a place that resists easy categorization—a space where dialogues, exchanges, and fresh perspectives can be explored. When the context that would define significance and meaning is held back, what is it that begins to take root and grow? It is something that still awaits negotiation within minds.
Pukeberg, Sweden.
Instagram: aronssonart
Organic glass series
Installation, glass sculptures Organics No. 1,2,3,4,5,6,7,8,10
L: 111 D: 72 H:25 cm.
Glass made in Glass Factory Boda Sweden, 2025.
Cohesion is a sculptural installation composed of glass forms arranged together in a composition, creating an abstract, tissue-like body. Derived from approaches to biological cells, organ structures, and marine organisms. The individual elements gradually merge into a larger whole, while boundaries between the microcosm and the body begin to dissolve. Through transparency, light refraction, and organic clustering, the work evokes a living system that tends toward both corporeal and oceanic states.
2016 – ongoing
The artwork Collective is composed of sculptural hybrids made from oyster shells, debris, reclaimed material, and synthetic and organic remnants. Emerged from the sediment of everyday life, these fragments of discarded materials are harvested, collected, and reclaimed, assembled into new beings.
Sculpture , Installation 2026
In Corporeals, bodily fragments are recontextualized through assemblage, stacked and combined by the artist perfromative sheddings with organic structures and networks of tree branches.
Exploring transformation as both method and concept, the work uses the body as material, mutable and processual rather than static. Earlier performative actions, together with sculptural construction, create a space in which different temporal layers meet and are renegotiated.
SUNRISE ON THE SEA 2024 , NAC XIAMEN
10.2024 - 12.2024 - Nordic Contemporary Art Center Xiamen, Fuijian, China.
Slow-performative installation.
Ice melting, dripping to canvases with dry colour pigment. Igniting gesture of painting without the gesture of painting.
An art installation which evokes the three stages of water. Solid, liquid, evaporation. Enacting a gesture derived from the philosophical approach of "wu wei" non-doing, aligning with natural flow and intuition of life rather than forcing it.


O K N Y T T
Kalhygge Art Festival, 2026
Sculpture installation mounted in uprooted tree.

Painting session,
Photo credit Stephanie Verstift / Vildmark Studio 2024.


Pentakorfo,
Tree Protection
Acrylic skin collage, painting 2026


STUDIO /
PROCESS
Photo credits to photographer: Stephanie Verstift / Vildmark Studio























































